Composer

:

Francesco Cellavenia

Genre

:

Choral

Style

:

Choral

Average_duration

:

3:10

"Erat quidam regulus" is a sacred motet composed by Francesco Cellavenia, an Italian composer of the late Renaissance period. The piece was composed in the early 17th century, and its premiere date is unknown. The motet is written for four voices, with the text taken from the Gospel of Matthew (19:16-22). The piece is divided into three movements, each with its own distinct character and musical style. The first movement is marked "Allegro," and features a lively and energetic melody. The voices enter one by one, building to a full and rich texture. The music is characterized by its use of imitative polyphony, with each voice taking turns presenting the main theme. The second movement is marked "Adagio," and is more contemplative in nature. The music is slower and more introspective, with a focus on the text and its meaning. The voices are more closely intertwined in this section, with a greater emphasis on harmony and chordal progressions. The final movement is marked "Allegro," and returns to the lively and energetic style of the first movement. The music is characterized by its use of syncopation and rhythmic complexity, with the voices weaving in and out of each other in a playful and intricate dance. Overall, "Erat quidam regulus" is a masterful example of Renaissance polyphony, showcasing Cellavenia's skill in crafting complex and engaging vocal music. The piece is notable for its use of imitative polyphony, harmonic richness, and rhythmic complexity, and remains a beloved work in the sacred choral repertoire.

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