Composer

:

Arne Nordheim

Genre

:

Orchestral

Style

:

Orchestral

Compose Date

:

1964

Average_duration

:

10:07

"Epitaffio" is a composition for solo cello and orchestra, composed by the Norwegian composer Arne Nordheim in 1979. The piece was premiered on October 25, 1979, by the Oslo Philharmonic Orchestra, with the cellist Truls Mørk as the soloist. The composition consists of three movements, each with its own distinct character and mood. The first movement, "Lento," is slow and mournful, with the cello playing long, sustained notes that are accompanied by the orchestra. The second movement, "Allegro," is faster and more energetic, with the cello playing rapid, virtuosic passages that are punctuated by the orchestra. The final movement, "Adagio," is slow and contemplative, with the cello playing a lyrical melody that is gradually taken up by the orchestra. One of the most striking characteristics of "Epitaffio" is its use of extended techniques for the cello. Nordheim was known for his experimentation with electronic music and sound manipulation, and he brought this sensibility to his composition for the cello. The soloist is called upon to use a variety of unconventional techniques, such as playing harmonics, glissandi, and pizzicato, as well as using the bow in unusual ways. These techniques create a range of unusual and otherworldly sounds that add to the haunting, ethereal quality of the piece. Another notable characteristic of "Epitaffio" is its use of dissonance and atonality. Nordheim was influenced by the avant-garde music of the mid-20th century, and he incorporated elements of serialism and other modernist techniques into his composition. The result is a piece that is challenging and complex, with a sense of tension and unease that is heightened by the dissonant harmonies and angular melodies. Overall, "Epitaffio" is a powerful and evocative work that showcases Nordheim's innovative approach to composition. Its use of extended techniques and dissonance make it a challenging piece for both the performer and the listener, but its haunting beauty and emotional depth make it a rewarding experience for those who are willing to engage with it.

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