Composer

:

Albert W. Ketèlbey

Genre

:

Concerto

Style

:

Concerto

Compose Date

:

1930

Average_duration

:

3:56

"The Clock and the Dresden Figures" is a musical composition by British composer Albert W. Ketèlbey. It was composed in 1923 and premiered in the same year. The piece is divided into three movements and is characterized by its use of orchestration and programmatic elements. The first movement, titled "The Clock," begins with the sound of a ticking clock, which is then joined by the orchestra. The music is meant to evoke the image of a clock tower, with the orchestra imitating the chimes of the clock. The movement is marked by a sense of urgency and tension, as if time is running out. The second movement, titled "The Dresden Figures," is a waltz that is meant to evoke the image of a ballroom filled with dancing figurines. The music is light and playful, with a sense of whimsy and charm. The use of orchestration is particularly notable in this movement, with the strings and woodwinds creating a delicate and intricate sound. The final movement, titled "The Clock and the Dresden Figures," combines elements of the first two movements. The ticking clock returns, but this time it is joined by the waltz theme from the second movement. The music builds to a climax, with the orchestra reaching a frenzied pace before coming to a sudden stop. Overall, "The Clock and the Dresden Figures" is a charming and whimsical piece of music that showcases Ketèlbey's skill as a composer. The use of programmatic elements and orchestration create a vivid and evocative musical landscape that transports the listener to another time and place.

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