Composer

:

Jean-Baptiste Lully

Genre

:

Choral

Style

:

Motet

Average_duration

:

7:49

Jean-Baptiste Lully's 'Salve Regina, LWV 77/13' is a sacred vocal work that was composed in the late 17th century. The piece was premiered in 1684 at the Royal Chapel in Versailles, France. It is a setting of the Marian antiphon 'Salve Regina', which is a hymn that is traditionally sung in honor of the Virgin Mary. The work is divided into four movements, each of which is based on a different section of the 'Salve Regina' text. The first movement is a solemn and introspective setting of the opening lines of the hymn, which ask Mary to intercede on behalf of sinners. The second movement is more lively and joyful, reflecting the text's praise of Mary as the "Queen of Heaven". The third movement is a mournful and contemplative setting of the text's plea for Mary's help in the face of death. The final movement is a triumphant and celebratory setting of the text's affirmation of Mary's role as the "Gate of Heaven". Lully's 'Salve Regina' is characterized by its rich harmonies, expressive melodies, and skillful use of counterpoint. The work is scored for a small ensemble of voices and instruments, including violins, violas, cellos, and basses. The vocal parts are written in a highly ornamented style, with frequent use of trills, runs, and other embellishments. Overall, Lully's 'Salve Regina' is a masterful example of Baroque sacred music, showcasing the composer's skill in both vocal and instrumental writing. Its combination of solemnity, joy, and triumph make it a fitting tribute to the Virgin Mary, and a testament to Lully's enduring legacy as one of the greatest composers of his time.

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