Composer

:

Jan Sandström

Genre

:

Choral

Average_duration

:

2:59

'Sloabbme-njunnje' is a contemporary classical piece composed by Jan Sandström in 1996. The piece was premiered on August 31, 1996, at the St. Olav Festival in Trondheim, Norway. The composition is written for a mixed choir and is based on a traditional Sami yoik, which is a form of traditional song from the indigenous Sami people of northern Scandinavia. The piece is divided into three movements, each with its own distinct characteristics. The first movement, 'Sloabbme', is a slow and meditative piece that sets the tone for the rest of the composition. The choir sings in a low and mournful tone, creating a sense of sadness and longing. The second movement, 'Njunnje', is more upbeat and lively, with the choir singing in a higher register and using more rhythmic patterns. The final movement, 'Sloabbme-njunnje', combines the elements of the first two movements, with the choir alternating between slow and fast sections. One of the most notable characteristics of 'Sloabbme-njunnje' is the use of overtone singing, which is a technique where the singer produces two or more notes simultaneously. This technique is used throughout the piece, creating a unique and haunting sound that is characteristic of traditional Sami music. The piece also features a wide range of vocal techniques, including whispering, humming, and chanting, which add to the overall texture and atmosphere of the composition. Overall, 'Sloabbme-njunnje' is a powerful and evocative piece that combines traditional Sami music with contemporary classical techniques. The use of overtone singing and other vocal techniques creates a unique and haunting sound that is both beautiful and haunting. The piece has become a popular choice for choirs around the world and is considered one of Sandström's most significant works.

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