Composer

:

Ethelbert Nevin

Genre

:

Keyboard

Style

:

Etude

Average_duration

:

3:56

Ethelbert Nevin's Étude in the form of a scherzo, Op. 18/2 is a piano composition that was composed in 1892. It was premiered in the same year by the composer himself. The piece is divided into three movements, each with its own unique characteristics. The first movement is marked Allegro con brio and is in the key of G major. It begins with a lively and playful melody that is reminiscent of a scherzo. The melody is then repeated in a higher register, accompanied by a fast and intricate arpeggio in the left hand. The movement continues with a series of virtuosic runs and trills, showcasing the pianist's technical abilities. The movement ends with a flourish, bringing the piece to a dramatic close. The second movement is marked Andante and is in the key of E minor. It is a stark contrast to the first movement, with a slower and more contemplative melody. The left hand provides a gentle accompaniment, while the right hand plays a simple yet beautiful melody. The movement gradually builds in intensity, with the melody becoming more complex and the left hand providing a more prominent accompaniment. The movement ends with a soft and delicate coda. The third movement is marked Allegro vivace and is in the key of G major. It begins with a fast and lively melody that is reminiscent of the first movement. The melody is then repeated in a higher register, accompanied by a series of fast and intricate arpeggios in the left hand. The movement continues with a series of virtuosic runs and trills, showcasing the pianist's technical abilities. The movement ends with a flourish, bringing the piece to a dramatic close. Overall, Étude in the form of a scherzo, Op. 18/2 is a virtuosic piano composition that showcases the composer's technical abilities. The piece is characterized by its lively and playful melodies, intricate arpeggios, and virtuosic runs and trills. The contrast between the first and second movements adds depth and complexity to the piece, while the third movement brings the piece to a dramatic and exciting close.

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