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Jan Pieterszoon Sweelinck
Hodie beata virgo Maria puerum Jesum praesentavit (Cantiones Sacrae No. 30)
Works Info
Composer
:
Jan Pieterszoon Sweelinck
Genre
:
Choral
Style
:
Song
Publication Date
:
1619
Average_duration
:
3:26
Jan Pieterszoon Sweelinck was a Dutch composer and organist of the late Renaissance and early Baroque periods. He was born in Deventer, Netherlands, in 1562 and died in Amsterdam in 1621. Sweelinck was one of the most important composers of his time, and his music had a significant influence on the development of Baroque music. 'Hodie beata virgo Maria puerum Jesum praesentavit' is a sacred choral work composed by Sweelinck. It is part of his collection of sacred music called 'Cantiones Sacrae No. 30'. The piece is a setting of the Latin text that tells the story of the presentation of Jesus in the temple by the Virgin Mary. The composition is written for four voices (SATB) and is in the key of G major. It is a relatively short piece, with a duration of around two minutes. The work is divided into two sections, with the first section being in a homophonic style and the second section being more contrapuntal. The first section begins with a simple and joyful melody sung by the soprano voice. The other voices enter one by one, creating a rich and harmonious texture. The text is sung in a clear and straightforward manner, with each word given equal importance. The second section is more complex and features a more intricate interplay between the voices. The melody is passed between the different voices, creating a sense of movement and energy. The text is sung in a more expressive and emotional manner, with the music reflecting the meaning of the words. Overall, 'Hodie beata virgo Maria puerum Jesum praesentavit' is a beautiful and uplifting piece of sacred music. It showcases Sweelinck's skill as a composer and his ability to create music that is both technically impressive and emotionally powerful. The work premiered in the late 16th century and has since become a beloved piece of choral music.
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