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Carl Philipp Emanuel Bach
Symphony for strings & continuo in A major, H. 660, Wq. 182/4
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Composer
:
Carl Philipp Emanuel Bach
Genre
:
Symphony
Style
:
Sinfonia
Compose Date
:
1773
Publication Date
:
1965
Average_duration
:
12:38
Movement_count
:
3
Movement ....
Carl Philipp Emanuel Bach's Symphony for strings & continuo in A major, H. 660, Wq. 182/4, was composed in 1773. It premiered in Hamburg, Germany, in the same year. The symphony consists of three movements: Allegro assai, Andante, and Allegro di molto. The first movement, Allegro assai, is characterized by its lively and energetic tempo. The strings and continuo work together to create a sense of urgency and excitement. The movement is in sonata form, with a clear exposition, development, and recapitulation. The exposition introduces the main themes, which are then developed and expanded upon in the development section. The recapitulation brings back the main themes in their original form, leading to a satisfying conclusion. The second movement, Andante, is a slower and more contemplative piece. The strings play a beautiful melody, while the continuo provides a gentle accompaniment. The movement is in ABA form, with the middle section providing a contrast to the outer sections. The middle section features a more complex and intricate melody, which is then simplified and repeated in the final A section. The final movement, Allegro di molto, is a fast and lively piece that brings the symphony to a thrilling conclusion. The strings and continuo work together to create a sense of urgency and excitement, with the melody passing between different sections of the orchestra. The movement is in rondo form, with the main theme returning several times throughout the piece. Overall, Carl Philipp Emanuel Bach's Symphony for strings & continuo in A major, H. 660, Wq. 182/4, is a beautiful and well-crafted work. The three movements showcase Bach's skill in creating a variety of moods and emotions through his music. The symphony is a testament to Bach's talent as a composer and his contribution to the development of classical music.
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