Johannes Brahms
Nein, es ist nicht auszukommen, Op. 52/11
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Oregon State University Chamber ChoirSeptember 9, 2010
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Composer:Johannes BrahmsGenre:VocalStyle:Part SongCompose Date:1868Average_duration:0:58Johannes Brahms composed "Nein, es ist nicht auszukommen" (No, it is not possible to get along) as the eleventh song in his Opus 52 collection of German folk songs. The song premiered in 1873 and is a part of Brahms' larger collection of German folk songs, which he arranged for voice and piano. The song is in the key of G minor and is written in a moderate tempo. It is a strophic song, meaning that the same music is repeated for each verse. The melody is simple and straightforward, with a melancholic and mournful quality that reflects the song's lyrics. The song's text is a lament about the difficulties of getting along with others. The speaker expresses frustration with the fact that people are always fighting and argues that it is impossible to get along with everyone. The lyrics are reflective of the social and political tensions of the time, as Germany was undergoing significant changes and struggles in the late 19th century. Brahms' arrangement of the song is characterized by his use of rich harmonies and subtle shifts in dynamics. The piano accompaniment is sparse, with simple chords that support the vocal line without overpowering it. The song's emotional impact comes from the interplay between the melody and the harmonies, which create a sense of tension and release that mirrors the song's themes. Overall, "Nein, es ist nicht auszukommen" is a poignant and reflective song that showcases Brahms' skill as a composer and arranger. Its simple melody and harmonies belie the complexity of the emotions it conveys, making it a powerful example of Brahms' ability to capture the essence of a text through music.More....
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No, it can't get along, Op. 52/11
Neue Liebeslieder Walzer Op. 52 & 65: 7. Nein, es ist nicht auszukommen... (Op. 52)
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No, it can't get along, Op. 52/11
Nein, es ist nicht auszukommen (No, there is no putting up). Op. 52 No. 11
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