Composer

:

P.D.Q. Bach

Genre

:

Orchestral

Style

:

Orchestral

Average_duration

:

11:33

Overture 1712: for Really Big Orchestra, S1712 is a satirical composition by the fictional composer P.D.Q. Bach. It was composed in 1964 and premiered on April 1 of the same year at Carnegie Hall in New York City. The overture is divided into four movements, each of which parodies a different musical style. The first movement, titled "Allegro con molto brio," is a parody of the Baroque style. It features a fast tempo, intricate counterpoint, and a prominent harpsichord part. The movement also includes humorous musical jokes, such as sudden pauses and unexpected key changes. The second movement, "Andante con un poco ma non troppo," is a parody of the Classical style. It features a slower tempo and a more lyrical melody, but still includes humorous musical jokes, such as sudden dynamic changes and unexpected harmonies. The third movement, "Scherzo: Allegro molto con brio," is a parody of the Romantic style. It features a fast tempo and a lively, dance-like rhythm. The movement also includes humorous musical jokes, such as sudden shifts in tempo and unexpected instrumental solos. The final movement, "Finale: Presto con molto brio," is a parody of the contemporary style. It features a fast tempo and a complex, dissonant melody. The movement also includes humorous musical jokes, such as sudden changes in meter and unexpected instrumental effects. Overall, Overture 1712: for Really Big Orchestra, S1712 is a humorous and satirical composition that pokes fun at various musical styles and conventions. It showcases P.D.Q. Bach's unique style of musical parody and is a testament to his wit and creativity as a composer.

More....