Composer

:

Edgar Barroso

Genre

:

Chamber

Average_duration

:

3:38

'Over-Proximity' is a contemporary classical composition by Mexican composer Edgar Barroso. The piece was composed in 2018 and premiered on October 27th of the same year at the Sala Carlos Chávez in Mexico City. 'Over-Proximity' is a three-movement work that explores the concept of human interaction in the digital age. The first movement, titled "Disconnected," is characterized by dissonant harmonies and fragmented melodies that represent the isolation and detachment that can result from excessive use of technology. The second movement, "Connected," features a more fluid and lyrical melody that represents the potential for connection and intimacy that technology can facilitate. The final movement, "Over-Proximity," is a frenzied and chaotic section that represents the overwhelming and suffocating nature of constant digital connection. Barroso's use of extended techniques, such as prepared piano and unconventional playing techniques, adds to the unique and experimental nature of the piece. The composer also incorporates electronic elements, such as pre-recorded sounds and live processing, to further explore the theme of technology and human interaction. Overall, 'Over-Proximity' is a thought-provoking and innovative work that challenges traditional notions of classical music while exploring contemporary issues.

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