Composer

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Francesco Barsanti

Genre

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Concerto

Style

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Concerto

Francesco Barsanti's Concerti Grossi (10), Op. 3 is a collection of ten concerti grossi for strings and continuo. The work was composed in the Baroque era and was first published in London in 1742. The premiere of the work is not known. The ten concerti grossi are divided into two sets of five. Each set follows the traditional Baroque concerto grosso form, with a group of soloists (concertino) alternating with the full orchestra (ripieno). The concerti are written for two violins, viola, cello, and continuo. The first set of concerti (Nos. 1-5) are in the key of G major, D major, A major, F major, and B-flat major, respectively. The second set (Nos. 6-10) are in the key of E minor, C major, G minor, B minor, and E-flat major, respectively. The first movement of each concerto is typically in a fast tempo and features the concertino group. The second movement is usually slower and more lyrical, with the ripieno taking a more prominent role. The third movement is often a lively dance or a fast fugue. Barsanti's Concerti Grossi (10), Op. 3 is characterized by its lively and energetic melodies, intricate counterpoint, and virtuosic solo passages. The work is a prime example of the Baroque concerto grosso form and showcases Barsanti's skill as a composer and arranger.

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