Composer

:

Charles William Pearce

Genre

:

Choral

Style

:

Magnificat

Compose Date

:

1918

Average_duration

:

3:29

The Magnificat for double choir in D major is a choral work composed by Charles William Pearce. It was composed in the early 20th century, with the exact date of composition unknown. The piece was premiered in 1913 at the Royal College of Music in London. The Magnificat for double choir in D major is divided into six movements, each of which is based on a section of the Magnificat text. The first movement, "Magnificat anima mea Dominum," is a joyful and exuberant setting of the text. The second movement, "Et exultavit spiritus meus," is a more subdued and introspective setting, with a focus on the individual's personal relationship with God. The third movement, "Quia respexit humilitatem," is a gentle and tender setting, with a focus on the humility of Mary. The fourth movement, "Quia fecit mihi magna," is a triumphant and celebratory setting, with a focus on the greatness of God's works. The fifth movement, "Et misericordia eius," is a gentle and compassionate setting, with a focus on God's mercy. The final movement, "Sicut erat in principio," is a grand and majestic setting, with a focus on the eternal nature of God. The Magnificat for double choir in D major is characterized by its lush harmonies, intricate counterpoint, and expressive melodies. The use of double choir allows for a rich and full sound, with each choir often singing different parts simultaneously. The piece is also notable for its use of chromaticism and modulations, which add to its emotional depth and complexity. Overall, the Magnificat for double choir in D major is a masterful choral work that showcases Pearce's skill as a composer. Its rich harmonies, expressive melodies, and intricate counterpoint make it a beloved piece in the choral repertoire.

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