Composer

:

David Maslanka

Genre

:

Vocal

Style

:

Mass

Average_duration

:

110:01

David Maslanka's 'Mass, a setting of the Latin Ordinary' is a choral work that was composed in 1984. The piece was premiered on April 28, 1985, by the University of Miami Chorale, conducted by Jo-Michael Scheibe. The work is divided into six movements, each of which is based on a section of the Latin Ordinary of the Mass. The first movement, Kyrie, is characterized by a slow and solemn melody that is sung by the choir. The music gradually builds in intensity, with the addition of harmonies and counterpoint, before reaching a climax and then subsiding back into the original melody. The second movement, Gloria, is a joyful and exuberant piece that features a lively rhythm and intricate harmonies. The choir sings in unison and in harmony, with the music alternating between fast and slow sections. The third movement, Credo, is a complex and challenging piece that features intricate counterpoint and shifting harmonies. The choir sings in unison and in harmony, with the music building in intensity and complexity as the movement progresses. The fourth movement, Sanctus, is a peaceful and contemplative piece that features a simple melody sung by the choir. The music gradually builds in intensity, with the addition of harmonies and counterpoint, before reaching a climax and then subsiding back into the original melody. The fifth movement, Agnus Dei, is a somber and reflective piece that features a slow and mournful melody sung by the choir. The music gradually builds in intensity, with the addition of harmonies and counterpoint, before reaching a climax and then subsiding back into the original melody. The final movement, Ite, Missa Est, is a triumphant and celebratory piece that features a lively rhythm and intricate harmonies. The choir sings in unison and in harmony, with the music alternating between fast and slow sections. Overall, Maslanka's 'Mass, a setting of the Latin Ordinary' is a challenging and complex work that showcases the composer's skill in writing for choir. The piece features intricate counterpoint, shifting harmonies, and a wide range of dynamics and tempos, making it a rewarding and engaging work for both performers and audiences alike.

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