Composer

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Samuel Scheidt

Genre

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Keyboard

Style

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Keyboard

Average_duration

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10:03

Samuel Scheidt's 'Hymnus: Vita sanctorum decus angelorum, SSWV 152' is a sacred choral work that was composed in the early 17th century. The piece was premiered in 1620 in Halle, Germany, and is considered to be one of Scheidt's most significant works. The 'Hymnus' is divided into six movements, each of which is based on a different saint. The first movement is dedicated to St. Michael, the second to St. Gabriel, the third to St. Raphael, the fourth to St. Uriel, the fifth to St. Sealtiel, and the sixth to St. Jehudiel. Each movement is characterized by its own unique melody and harmonies, and the piece as a whole is marked by its rich polyphonic textures and intricate counterpoint. One of the most notable characteristics of the 'Hymnus' is its use of antiphonal singing, in which the choir is divided into two groups that sing back and forth to each other. This technique is particularly effective in the fourth movement, which features a dialogue between the choir and a soloist who represents St. Uriel. Another notable feature of the 'Hymnus' is its use of chromaticism, which was a relatively new technique at the time of its composition. Scheidt employs chromaticism to create a sense of tension and drama in the music, particularly in the fifth movement, which is dedicated to St. Sealtiel and features a soaring soprano solo. Overall, the 'Hymnus: Vita sanctorum decus angelorum, SSWV 152' is a masterful example of sacred choral music from the early Baroque period. Its rich harmonies, intricate counterpoint, and innovative use of antiphonal singing and chromaticism make it a timeless masterpiece that continues to be performed and admired by musicians and audiences alike.

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