Composer

:

Michael Wise

Genre

:

Choral

Style

:

Magnificat

Average_duration

:

3:08

Michael Wise's Magnificat for chorus in E flat major is a sacred choral work that was composed in the late 17th century. The exact date of composition is unknown, but it is believed to have been written around 1680. The piece was first performed in London, England, and has since become a staple of the choral repertoire. The Magnificat is divided into nine movements, each of which sets a different section of the biblical text. The first movement, "Magnificat anima mea Dominum," is a joyful and exuberant setting of Mary's words of praise. The second movement, "Et exultavit spiritus meus," is a lively and energetic section that expresses Mary's joy at the news of her pregnancy. The third movement, "Quia respexit humilitatem," is a more subdued and introspective section that reflects on Mary's humility and the greatness of God. The fourth movement, "Quia fecit mihi magna," is a triumphant and celebratory section that praises God for his blessings. The fifth movement, "Et misericordia eius," is a gentle and tender section that reflects on God's mercy and compassion. The sixth movement, "Fecit potentiam in brachio suo," is a powerful and majestic section that celebrates God's strength and might. The seventh movement, "Deposuit potentes de sede," is a dramatic and intense section that speaks of God's power to overthrow the mighty and exalt the humble. The eighth movement, "Esurientes implevit bonis," is a joyful and uplifting section that speaks of God's provision for the hungry and needy. The final movement, "Sicut locutus est," is a triumphant and exultant section that brings the Magnificat to a rousing conclusion. Overall, Michael Wise's Magnificat is a masterful example of sacred choral music from the Baroque era. Its nine movements showcase a range of emotions and musical styles, from joyful exuberance to introspective reflection to triumphant celebration. The piece is characterized by its rich harmonies, intricate counterpoint, and expressive use of text painting. It remains a beloved and frequently performed work in the choral repertoire.

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