Composer

:

Jean-Henri d'Anglebert

Genre

:

Keyboard

Style

:

Fugue

Average_duration

:

2:56

Jean-Henri d'Anglebert was a French harpsichordist and composer who lived from 1629 to 1691. He was a prominent figure in the French Baroque music scene and was known for his skill as a performer and composer. One of his most famous works is the "Cinquieme Fugue sur le Même Sujet," which was composed in the late 17th century. The "Cinquieme Fugue sur le Même Sujet" is a piece for solo harpsichord and is part of a larger collection of works called "Pièces de Clavecin." The piece is based on a single subject, which is a short melodic phrase that is repeated throughout the piece. The subject is introduced at the beginning of the piece and is then developed and transformed through a series of fugues and episodes. The "Cinquieme Fugue sur le Même Sujet" is composed of five movements, each of which is a fugue based on the same subject. The first movement is a simple fugue in four voices, with the subject presented in the soprano voice. The second movement is a double fugue, with two subjects presented simultaneously. The third movement is a triple fugue, with three subjects presented simultaneously. The fourth movement is a quadruple fugue, with four subjects presented simultaneously. The final movement is a quintuple fugue, with five subjects presented simultaneously. One of the characteristics of the "Cinquieme Fugue sur le Même Sujet" is its use of counterpoint. Counterpoint is the technique of combining multiple melodic lines to create a harmonically rich texture. D'Anglebert was a master of counterpoint, and the "Cinquieme Fugue sur le Même Sujet" is a prime example of his skill in this area. The piece is also notable for its use of chromaticism, which is the use of notes outside of the diatonic scale. This gives the piece a sense of tension and instability, which is resolved through the use of traditional harmonic progressions. The "Cinquieme Fugue sur le Même Sujet" premiered in the late 17th century, and it quickly became a popular piece among harpsichordists. It is still performed today and is considered a masterpiece of the French Baroque repertoire.

More....