Composer

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Kenneth Leighton

Genre

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Keyboard

Style

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Keyboard

Average_duration

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0:43

"Clockwork Doll, Op. 47/1" is a solo piano piece composed by Kenneth Leighton in 1968. The piece was premiered on May 7, 1968, by the pianist Margaret Kitchin at the Royal Scottish Academy of Music and Drama in Glasgow. The piece is divided into three movements, each with its own distinct character. The first movement, marked "Allegro giocoso," is a playful and lively scherzo. The second movement, marked "Andante," is a lyrical and expressive interlude. The final movement, marked "Allegro vivace," returns to the playful and energetic character of the first movement. The piece is characterized by its use of rhythmic and melodic motifs, which are developed and transformed throughout the three movements. The opening motif, a descending scale followed by a rising arpeggio, is heard throughout the piece in various forms. The use of syncopation and irregular rhythms also adds to the playful and whimsical character of the piece. Leighton's "Clockwork Doll" is a virtuosic and challenging work for the pianist, requiring a high level of technical skill and precision. The piece is also notable for its use of extended techniques, such as glissandos and rapid repeated notes, which add to the mechanical and robotic character of the titular doll. Overall, "Clockwork Doll, Op. 47/1" is a lively and engaging work that showcases Leighton's skill as a composer and his ability to create music that is both technically demanding and musically expressive.

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