Composer

:

Marin Marais

Genre

:

Chamber

Style

:

Chamber Music

Publication Date

:

1725

Average_duration

:

4:17

"Tableau de l'operation de la taille in E minor" is a composition by Marin Marais, a French composer and viol player who lived from 1656 to 1728. The piece is part of his "Pièces de viole, Book V" and is numbered as No. 108. It was composed in the late 17th century and premiered in Paris, France. The composition is divided into three movements, each with its own distinct characteristics. The first movement is marked "Gravement" and is in E minor. It begins with a slow, mournful melody played by the viol, which is then joined by a harpsichord. The two instruments play together in a call-and-response style, with the viol taking the lead and the harpsichord responding. The movement builds in intensity as it progresses, with the viol playing faster and more complex passages. The second movement is marked "Légèrement" and is in E major. It is a lively and playful dance, with the viol and harpsichord playing in unison. The melody is light and airy, with a sense of joy and celebration. The movement is characterized by its fast tempo and intricate rhythms, which require a high level of technical skill from the performers. The final movement is marked "Gravement" and is in E minor. It is a slow and somber piece, with a mournful melody played by the viol. The harpsichord provides a simple accompaniment, with occasional chords and arpeggios. The movement is characterized by its emotional intensity and expressive power, with the viol playing long, sustained notes that convey a sense of sadness and loss. Overall, "Tableau de l'operation de la taille in E minor" is a masterful composition that showcases Marais' skill as a composer and performer. Its three movements offer a range of emotions and moods, from mournful to joyful, and require a high level of technical proficiency from the performers. It remains a popular piece in the repertoire of baroque music and is often performed by viol players and harpsichordists today.

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