Composer

:

François Devienne

Genre

:

Chamber

Style

:

Chamber Music

Average_duration

:

18:26

Movement_count

:

3

Movement ....

François Devienne's Sonata for oboe & basso in C major, Op. 71/3, was composed in the late 18th century. The exact date of composition is unknown, but it is believed to have been written around 1792. The sonata was premiered in Paris, France, where Devienne was a prominent musician and composer. The sonata consists of three movements: Allegro, Adagio, and Rondo. The first movement, Allegro, is in sonata form and features a lively and energetic melody. The oboe and basso continuo engage in a playful dialogue, with the oboe taking the lead in the development section. The second movement, Adagio, is a slow and expressive aria-like melody. The oboe sings a beautiful and melancholic melody, accompanied by the basso continuo. The final movement, Rondo, is a lively and joyful dance-like melody. The oboe and basso continuo engage in a playful and virtuosic dialogue, with the oboe showcasing its technical abilities in the cadenza. The sonata is characterized by its elegant and refined style, typical of the classical period. Devienne's use of the oboe as the solo instrument is particularly noteworthy, as the oboe was not a common solo instrument at the time. Devienne's writing for the oboe is virtuosic and showcases the instrument's unique timbre and expressive capabilities. The basso continuo provides a solid foundation for the oboe, with the harpsichord and cello providing harmonic support and rhythmic drive. Overall, Devienne's Sonata for oboe & basso in C major, Op. 71/3, is a charming and delightful work that showcases the oboe's unique qualities and Devienne's skill as a composer.

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