Composer

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Various Composers

Genre

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Choral

Average_duration

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3:09

Psalm 28 is a choral work that has been set to music by various composers throughout history. The text of the psalm is a plea for God's help and protection, and it has been a popular choice for musical settings due to its emotional depth and spiritual significance. One notable setting of Psalm 28 was composed by David Halls and Frederick Ouseley. This version was premiered in the 19th century and is known for its rich harmonies and expressive melodies. The work is divided into several movements, each of which explores a different aspect of the psalm's text. The first movement of the Halls/Ouseley setting is marked "Allegro moderato" and features a lively, rhythmic melody that sets the tone for the entire work. The second movement, marked "Andante con moto," is more contemplative and introspective, with a haunting melody that emphasizes the psalmist's sense of isolation and despair. The third movement, marked "Allegro vivace," is a joyful celebration of God's power and protection. This movement features a lively, dance-like melody that is full of energy and vitality. The fourth movement, marked "Andante sostenuto," is a prayer for God's mercy and forgiveness. This movement is characterized by its gentle, flowing melody and its sense of humility and contrition. The final movement of the Halls/Ouseley setting is marked "Allegro con fuoco" and is a triumphant declaration of faith and hope. This movement features a powerful, soaring melody that expresses the psalmist's confidence in God's ultimate victory over evil and adversity. Overall, the Halls/Ouseley setting of Psalm 28 is a powerful and emotionally resonant work that captures the spiritual essence of the psalm's text. Its rich harmonies, expressive melodies, and varied moods make it a compelling and rewarding piece for both performers and listeners alike.

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