Composer

:

Johann Sebastian Bach

Genre

:

Keyboard

Style

:

Chorale Prelude

Compose Date

:

1739 - 1742

Publication Date

:

1893

Average_duration

:

1:28

"Christum wir sollen loben schon, BWV 696" is a chorale prelude composed by Johann Sebastian Bach. It is believed to have been composed in the early 1700s, during Bach's time as the court organist in Weimar. The piece is based on the hymn "Christum wir sollen loben schon," which was written by an unknown author in the 14th century. The piece is written for the organ and consists of four movements. The first movement is a prelude, which sets the tone for the piece and introduces the main theme. The second movement is a fugue, which is a complex and intricate musical form that involves multiple voices playing different melodies that are interwoven together. The third movement is a trio, which features three distinct voices playing together in harmony. The final movement is a chorale, which is a simple and straightforward setting of the hymn tune. One of the characteristics of "Christum wir sollen loben schon, BWV 696" is its use of counterpoint. Counterpoint is a technique in which multiple melodies are played simultaneously, creating a complex and layered sound. Bach was a master of counterpoint, and this piece showcases his skill in this area. Another characteristic of the piece is its use of ornamentation. Ornamentation refers to the embellishments and decorations that are added to a melody to make it more interesting and expressive. Bach was known for his use of ornamentation, and this piece is no exception. Overall, "Christum wir sollen loben schon, BWV 696" is a beautiful and complex piece of music that showcases Bach's skill as a composer and his mastery of the organ. Its use of counterpoint and ornamentation make it a challenging piece to play, but also a rewarding one for both performers and listeners alike.

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