William Duckworth
The Time Curve Preludes (24)
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Composer:William DuckworthGenre:KeyboardStyle:PreludeCompose Date:Jun 1977 - Jun 1978Average_duration:59:02The Time Curve Preludes (24) is a collection of piano pieces composed by William Duckworth in 1977. The work was premiered by the composer himself in 1978 at the University of North Carolina at Chapel Hill. The collection consists of 24 preludes, each of which is based on a different time curve. The time curves used in the preludes are derived from the mathematical concept of exponential growth. Each prelude is based on a different exponential function, with the tempo of the piece increasing or decreasing in accordance with the function. The result is a collection of pieces that explore the relationship between time and music in a unique and innovative way. The preludes are organized into four groups of six, with each group exploring a different aspect of the time curve. The first group focuses on the basic concept of exponential growth, with each prelude gradually increasing in tempo. The second group explores the idea of acceleration, with each prelude starting slowly and gradually speeding up. The third group focuses on deceleration, with each prelude starting fast and gradually slowing down. The final group explores the concept of oscillation, with each prelude alternating between fast and slow tempos. Despite the mathematical underpinnings of the work, the preludes are not dry or academic. Duckworth's use of repetition and simple melodic motifs gives the pieces a hypnotic quality, and the constantly changing tempos create a sense of tension and release. The result is a collection of pieces that are both intellectually stimulating and emotionally engaging. The Time Curve Preludes (24) is a landmark work in the field of minimalism, and has been performed and recorded by numerous pianists since its premiere. The work is a testament to Duckworth's innovative approach to composition, and his ability to create music that is both intellectually rigorous and emotionally resonant.More....
