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Helmut Lachenmann
Mouvement
Released Album
 
Works Info
Composer
:
Helmut Lachenmann
Genre
:
Orchestral
Style
:
Orchestral
Compose Date
:
1982 - 1984
Average_duration
:
22:47
"Mouvement" is a composition for large orchestra by German composer Helmut Lachenmann. It was composed between 1982 and 1984 and premiered on October 25, 1984, in Donaueschingen, Germany, by the Southwest German Radio Symphony Orchestra conducted by Michael Gielen. The piece is divided into three movements, each exploring different aspects of sound production and orchestration. The first movement, titled "Air," features a series of delicate, ethereal sounds produced by the orchestra, including harmonics, flutter-tonguing, and soft percussion. The second movement, "Chaos," is a more aggressive and dissonant section, featuring dense clusters of sound and abrupt shifts in texture and dynamics. The final movement, "Grido," is a slow, mournful section that gradually builds in intensity, culminating in a powerful climax. One of the defining characteristics of "Mouvement" is Lachenmann's use of extended techniques, which involve unconventional methods of playing traditional instruments. For example, the string players are instructed to use a variety of bowing techniques, including sul ponticello (playing near the bridge) and col legno (playing with the wood of the bow). The brass and woodwind players are also asked to use a range of techniques, such as multiphonics (producing multiple notes simultaneously) and key clicks (striking the keys of the instrument without producing a pitch). Another notable aspect of the piece is Lachenmann's use of silence and space. Throughout the work, there are moments of stillness and quiet, which serve to highlight the more active sections of the music. Additionally, the composer employs a wide range of dynamics, from the softest whispers to the loudest fortissimos, creating a sense of tension and release throughout the piece. Overall, "Mouvement" is a challenging and complex work that pushes the boundaries of traditional orchestral music. Through his use of extended techniques, unconventional sounds, and dynamic contrasts, Lachenmann creates a unique sonic landscape that is both innovative and engaging.
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