Composer

:

Jean-Dominique Krynen

Genre

:

Vocal

Average_duration

:

5:24

"Zu Gott sollst du nicht schreien" is a choral work composed by Jean-Dominique Krynen. The piece was composed in 1995 and premiered in the same year. It is a four-movement work that is characterized by its use of dissonance and complex harmonies. The first movement, "Zu Gott sollst du nicht schreien," is a setting of a text by the German poet Rainer Maria Rilke. The movement begins with a dissonant chord that sets the tone for the rest of the piece. The choir enters with a chant-like melody that is accompanied by a pulsing rhythm in the piano. The movement builds to a climax before ending with a quiet, reflective section. The second movement, "Ich bin ein Fremdling," is a setting of a text from the Bible. The movement begins with a solo soprano singing a haunting melody that is accompanied by a simple piano accompaniment. The choir enters with a chant-like melody that is reminiscent of the first movement. The movement builds to a climax before ending with a quiet, reflective section. The third movement, "Ich bin ein Gast auf Erden," is a setting of a text by the German poet Friedrich Rückert. The movement begins with a solo tenor singing a melancholy melody that is accompanied by a simple piano accompaniment. The choir enters with a chant-like melody that is similar to the first two movements. The movement builds to a climax before ending with a quiet, reflective section. The fourth and final movement, "Ich bin ein Pilger," is a setting of a text by the German poet Johann Wolfgang von Goethe. The movement begins with a solo alto singing a mournful melody that is accompanied by a simple piano accompaniment. The choir enters with a chant-like melody that is similar to the previous movements. The movement builds to a climax before ending with a quiet, reflective section. Overall, "Zu Gott sollst du nicht schreien" is a complex and challenging choral work that showcases Krynen's skill as a composer. The use of dissonance and complex harmonies creates a haunting and melancholy atmosphere that is perfectly suited to the reflective and introspective texts. The piece is a testament to Krynen's ability to create powerful and moving choral music.

More....