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Jean de Sainte-Colombe
Concert for 2 equal bass viols No. 33 "L'esveillé"
Released Album
 
Works Info
Composer
:
Jean de Sainte-Colombe
Genre
:
Chamber
Style
:
Chamber Music
Average_duration
:
4:43
Jean de Sainte-Colombe was a French composer and violist who lived during the Baroque period. He is known for his contributions to the development of the viola da gamba, a stringed instrument that was popular during the 16th and 17th centuries. One of his most famous works is the Concert for 2 equal bass viols No. 33 L'esveillé. The Concert for 2 equal bass viols No. 33 L'esveillé was composed by Jean de Sainte-Colombe in the late 17th century. The exact date of composition is unknown, but it is believed to have been written sometime between 1680 and 1700. The piece was premiered in France, likely in Paris, where Sainte-Colombe lived and worked. The Concert for 2 equal bass viols No. 33 L'esveillé is divided into three movements: Prelude, Allemande, and Courante. The Prelude is a slow, introspective piece that sets the mood for the rest of the work. The Allemande is a lively dance in triple meter, while the Courante is a faster dance in quadruple meter. One of the characteristics of the Concert for 2 equal bass viols No. 33 L'esveillé is its use of equal bass viols. This was a relatively uncommon practice at the time, as most Baroque music was written for a solo instrument accompanied by a basso continuo. Sainte-Colombe's decision to write for two equal bass viols allowed for a unique sound and texture that was not often heard in Baroque music. Another characteristic of the Concert for 2 equal bass viols No. 33 L'esveillé is its use of ornamentation. Sainte-Colombe was known for his skillful use of ornamentation, which added depth and complexity to his compositions. The Concert for 2 equal bass viols No. 33 L'esveillé is no exception, with intricate ornamentation throughout the piece. Overall, the Concert for 2 equal bass viols No. 33 L'esveillé is a beautiful example of Baroque music. Its use of equal bass viols and intricate ornamentation make it a unique and interesting work, and it remains popular among violists and Baroque music enthusiasts today.
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