Composer

:

Ernesto Nazareth

Genre

:

Keyboard

Style

:

Waltz

Average_duration

:

4:25

Ernesto Nazareth was a Brazilian composer and pianist who lived from 1863 to 1934. He is considered one of the most important figures in Brazilian music history, and his compositions are still widely performed and admired today. One of his most famous works is the tango "Faceira," which was composed in 1914. "Faceira" premiered in Rio de Janeiro in 1914, and it quickly became a hit with audiences. The piece is written in the key of G major and is in a fast tempo, with a lively and playful character. It is a tango, which was a popular dance style in Brazil at the time, and it features many of the hallmarks of the genre, including syncopated rhythms, chromatic harmonies, and a strong sense of melody. The piece is divided into three main sections, or movements. The first section is a lively and energetic introduction, featuring a syncopated melody played in the right hand of the piano. The left hand provides a driving rhythm, with a series of chords played in a staccato fashion. The second section is more lyrical and melodic, with a slower tempo and a more expressive character. The melody is played in the right hand, with the left hand providing a gentle accompaniment. The third section returns to the fast tempo of the opening, with a lively and playful melody that is full of energy and excitement. One of the most distinctive characteristics of "Faceira" is its use of syncopation. This is a rhythmic technique that involves placing accents on weak beats, creating a sense of tension and excitement. Nazareth was a master of syncopation, and he used it extensively in his compositions. In "Faceira," the syncopated rhythms give the piece a lively and playful character, and they help to create a sense of forward momentum that propels the music forward. Overall, "Faceira" is a lively and energetic tango that showcases Nazareth's skill as a composer and pianist. Its catchy melodies, driving rhythms, and playful character have made it a favorite with audiences for over a century, and it remains one of the most popular pieces in the Brazilian piano repertoire.

More....