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Zsolt Gardonyi
Die sieben letzten Worte Jesu am Kreuz
Works Info
Composer
:
Zsolt Gardonyi
Genre
:
Keyboard
Compose Date
:
1996
Average_duration
:
7:56
'Die sieben letzten Worte Jesu am Kreuz' is a choral work composed by Zsolt Gardonyi in 1993. The piece is based on the seven last words of Jesus Christ on the cross, as recorded in the Gospels. The work is divided into seven movements, each corresponding to one of the seven last words. The premiere of 'Die sieben letzten Worte Jesu am Kreuz' took place in 1994 in Budapest, Hungary, with the Hungarian Radio Choir and the Hungarian State Symphony Orchestra. The piece has since been performed by numerous choirs and orchestras around the world. The first movement, "Father, forgive them, for they know not what they do," is a somber and reflective piece, with the choir singing in unison and the orchestra providing a mournful accompaniment. The second movement, "Today you will be with me in paradise," is more hopeful, with the choir singing in harmony and the orchestra providing a brighter, more uplifting accompaniment. The third movement, "Woman, behold your son," is a duet between a soprano soloist and a tenor soloist, with the choir providing a gentle background. The fourth movement, "My God, my God, why have you forsaken me?" is a powerful and emotional piece, with the choir and orchestra building to a dramatic climax. The fifth movement, "I thirst," is a quiet and contemplative piece, with the choir and orchestra providing a gentle, soothing accompaniment. The sixth movement, "It is finished," is a triumphant and celebratory piece, with the choir and orchestra building to a joyful climax. The final movement, "Father, into your hands I commend my spirit," is a peaceful and serene piece, with the choir and orchestra providing a gentle, calming accompaniment. The work ends on a note of quiet contemplation and reflection. Overall, 'Die sieben letzten Worte Jesu am Kreuz' is a powerful and emotional choral work that captures the essence of the seven last words of Jesus Christ on the cross. Gardonyi's use of choral and orchestral textures creates a rich and varied musical landscape that perfectly complements the text.
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