Composer

:

Agostino Steffani

Genre

:

Vocal

Style

:

Cantata

Average_duration

:

6:56

'Hò Scherzato In Verità' is a vocal work composed by Agostino Steffani, an Italian composer of the Baroque era. The work was composed in the late 17th century and premiered in Munich in 1688. It is a cantata, a type of vocal composition that typically features a solo singer accompanied by instruments. The cantata is divided into three movements. The first movement is an aria, which is a solo vocal piece with instrumental accompaniment. The second movement is a recitative, which is a type of vocal performance that is closer to speech than singing. The third movement is another aria. The cantata is characterized by its virtuosic vocal writing and its use of chromatic harmonies. Steffani was known for his skill in writing for the voice, and 'Hò Scherzato In Verità' is no exception. The vocal part is highly ornamented, with runs and trills that showcase the singer's technical ability. The text of the cantata is in Italian and tells the story of a lover who has been betrayed by his beloved. The first aria expresses the lover's disbelief at the betrayal, while the recitative recounts the lover's attempts to win back his beloved. The final aria is a lament for the lost love. Overall, 'Hò Scherzato In Verità' is a beautiful example of Baroque vocal music. Its virtuosic vocal writing and expressive harmonies make it a challenging and rewarding piece for both singers and instrumentalists.

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