Composer

:

César Franck

Genre

:

Keyboard

Style

:

Keyboard

Compose Date

:

1862

Publication Date

:

1868

Average_duration

:

4:35

César Franck's 'Quasi marcia, Op. 22, M. 34' is a composition for piano and orchestra. It was composed in 1878 and premiered on January 26, 1879, at the Salle Pleyel in Paris, with the composer himself conducting. The piece is divided into three movements. The first movement, marked Allegretto, begins with a solemn and majestic theme played by the orchestra. The piano enters with a more playful and lively theme, which is then developed and combined with the orchestra's theme. The movement ends with a return to the opening theme, played by the orchestra. The second movement, marked Andante, is a lyrical and expressive piece. The piano introduces a simple and melancholic melody, which is then taken up by the orchestra. The movement builds to a climax before subsiding into a quiet and reflective coda. The final movement, marked Allegro non troppo, is a lively and energetic piece. The piano and orchestra engage in a playful dialogue, with the piano introducing a series of virtuosic runs and flourishes. The movement builds to a triumphant conclusion, with the piano and orchestra playing in unison. 'Quasi marcia' is characterized by Franck's use of rich harmonies and complex counterpoint. The piece also showcases his skill as a pianist, with the piano part featuring a number of technically demanding passages. Overall, 'Quasi marcia' is a masterful example of Franck's unique blend of Romanticism and classical form.

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