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Jacob Ter Veldhuis
Postnuclear Winterscenario No. 1
Released Album
 
Works Info
Composer
:
Jacob Ter Veldhuis
Genre
:
Keyboard
Style
:
Open Form
Compose Date
:
1991
Average_duration
:
10:18
"Postnuclear Winterscenario No. 1" is a contemporary classical composition by Dutch composer Jacob Ter Veldhuis. The piece was composed in 1990 and premiered in the same year in Amsterdam. It is a single-movement work that lasts approximately 15 minutes. The piece is characterized by its use of extended techniques on the piano, including plucking and strumming the strings, as well as the use of electronic sounds and samples. The overall effect is a haunting and otherworldly sound that evokes the desolation and despair of a post-apocalyptic world. The piece is divided into several sections, each with its own distinct mood and character. The opening section is slow and mournful, with the piano playing sparse, dissonant chords while electronic sounds swirl around it. This gives way to a more frenetic section, with the piano playing rapid, repetitive patterns while electronic sounds pulse and throb in the background. The middle section of the piece is more introspective, with the piano playing a simple, melancholy melody while electronic sounds provide a subtle, atmospheric backdrop. This leads into a more aggressive section, with the piano playing jagged, angular lines while electronic sounds grow more intense and chaotic. The final section of the piece is a return to the mournful mood of the opening, with the piano playing slow, mournful chords while electronic sounds fade away into silence. The overall effect is a powerful and evocative portrayal of a world devastated by nuclear war, and the emotional toll that such a catastrophe would take on those who survived. Overall, "Postnuclear Winterscenario No. 1" is a powerful and haunting work that showcases Jacob Ter Veldhuis' unique approach to contemporary classical composition. Its use of extended techniques and electronic sounds creates a distinctive and evocative sound world that is both unsettling and deeply moving.
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