Composer

:

Franz Liszt

Genre

:

Keyboard

Style

:

March

Compose Date

:

1836 - 1837

Publication Date

:

1866

Average_duration

:

8:48

Franz Liszt's "Marche des pèlerins de la Sinfonie Harold en Italie (I & II) (after Berlioz), S. 473" is a piano transcription of the fourth movement of Hector Berlioz's "Harold en Italie" symphony. Liszt composed this piece in 1837, and it premiered in the same year in Paris. The piece is divided into two movements, with the first movement being a transcription of the opening section of Berlioz's original work. The second movement is a transcription of the middle section of the symphony, which features a solo viola. Liszt's transcription of Berlioz's work is characterized by his virtuosic piano writing, which showcases his technical prowess as a pianist. The piece is also notable for its use of chromaticism and harmonic complexity, which were hallmarks of Liszt's compositional style. The first movement of the piece begins with a bold and majestic theme, which is played in the lower register of the piano. This theme is then developed and expanded upon, with Liszt adding his own flourishes and embellishments to the original melody. The movement builds to a dramatic climax before subsiding into a quieter, more introspective section. The second movement of the piece features a lyrical and expressive melody, which is played in the upper register of the piano. Liszt's transcription of the viola solo is particularly impressive, as he manages to capture the expressive qualities of the original work while also showcasing his own pianistic style. Overall, Liszt's "Marche des pèlerins de la Sinfonie Harold en Italie (I & II) (after Berlioz), S. 473" is a masterful transcription of Berlioz's original work. Liszt's technical prowess and compositional skill are on full display in this piece, which remains a popular choice for pianists to this day.

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