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Johannes Brahms
Heimweh I, Op. 63/7
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Composer
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Johannes Brahms
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Vocal
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Song
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2:22
Heimweh I, Op. 63/7 is a solo piano piece composed by Johannes Brahms in 1874. The piece is part of a collection of 11 pieces called "Fantasias" or "Fantasy Pieces" that Brahms composed for piano. The premiere of the piece was in Vienna in 1874. The piece is in the key of E minor and has a slow and melancholic character. It is divided into three movements, with the first and third movements being in E minor and the second movement being in E major. The first movement is marked "Andante" and is characterized by a simple and lyrical melody that is repeated throughout the piece. The second movement is marked "Allegro energico" and is more lively and energetic than the first movement. The third movement is marked "Andante" and returns to the melancholic character of the first movement. The piece is known for its use of chromaticism and its complex harmonies. Brahms uses a variety of techniques to create a sense of longing and nostalgia in the piece, including the use of suspensions and unresolved dissonances. The piece also features a number of dynamic contrasts, with sudden shifts from soft to loud and back again. Overall, Heimweh I, Op. 63/7 is a beautiful and haunting piece that showcases Brahms' skill as a composer. Its melancholic character and complex harmonies make it a challenging piece for pianists to perform, but also a rewarding one.
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Homesickness I, Op. 63/7  Heimweh No. 1: Wie traulich war das Fleckchen, Op. 63 No. 7
2:54
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