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Johann Kaspar Mertz
Opern-Revue, Op. 8
Released Album
 
Works Info
Composer
:
Johann Kaspar Mertz
Genre
:
Chamber
Style
:
Chamber Music
Opern-Revue, Op. 8 is a collection of arrangements for solo guitar composed by Johann Kaspar Mertz. The work was composed in the mid-19th century and premiered in Vienna in 1847. The collection consists of six movements, each of which is an arrangement of an operatic aria or duet. The first movement is an arrangement of the aria "Una voce poco fa" from Rossini's opera The Barber of Seville. Mertz's arrangement captures the playful and virtuosic character of the original aria, with fast runs and arpeggios interspersed with lyrical melodies. The second movement is an arrangement of the duet "La ci darem la mano" from Mozart's opera Don Giovanni. Mertz's arrangement captures the seductive and romantic character of the original duet, with flowing arpeggios and delicate harmonies. The third movement is an arrangement of the aria "Casta diva" from Bellini's opera Norma. Mertz's arrangement captures the ethereal and otherworldly character of the original aria, with delicate harmonies and a haunting melody. The fourth movement is an arrangement of the aria "O mio babbino caro" from Puccini's opera Gianni Schicchi. Mertz's arrangement captures the tender and emotional character of the original aria, with a simple and beautiful melody accompanied by gentle arpeggios. The fifth movement is an arrangement of the duet "Au fond du temple saint" from Bizet's opera The Pearl Fishers. Mertz's arrangement captures the exotic and sensual character of the original duet, with flowing arpeggios and rich harmonies. The final movement is an arrangement of the aria "Una furtiva lagrima" from Donizetti's opera L'elisir d'amore. Mertz's arrangement captures the tender and melancholic character of the original aria, with a simple and beautiful melody accompanied by gentle arpeggios. Overall, Opern-Revue, Op. 8 is a collection of virtuosic and expressive arrangements that showcase Mertz's skill as a guitarist and his ability to capture the essence of each operatic aria or duet.
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