Giovanni Coprario
Fantasie 2 (RC 7) for 3 voices
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Composer:Giovanni CoprarioGenre:ChamberAverage_duration:2:44Giovanni Coprario, also known as John Cooper, was an English composer of Italian descent who lived during the early 17th century. He was known for his contributions to the development of English instrumental music, particularly in the genre of fantasias. One of his most notable works in this genre is the "Fantasie 2 (RC 7) for 3 voices," which was composed in the early 1600s. The "Fantasie 2 (RC 7) for 3 voices" is a three-part instrumental work that was likely composed for a consort of viols. It is believed to have been written around the same time as Coprario's other fantasias, which were published in his collection "Songs of 3, 4, 5, and 6 parts" in 1618. The exact date of composition is unknown, but it is thought to have been written sometime in the early 1600s. The "Fantasie 2 (RC 7) for 3 voices" is comprised of three movements, each with its own distinct character and mood. The first movement is marked "Allegro," and is characterized by its lively, dance-like rhythms and playful melodies. The second movement is marked "Adagio," and is more contemplative and introspective in nature. It features long, flowing melodies and rich harmonies that create a sense of depth and complexity. The final movement is marked "Allegro," and is similar in character to the first movement, with its energetic rhythms and lively melodies. One of the most notable characteristics of the "Fantasie 2 (RC 7) for 3 voices" is its use of counterpoint. Coprario was known for his skillful use of counterpoint, and this work is no exception. The three voices weave in and out of each other, creating intricate and complex harmonies that are both beautiful and challenging to perform. The work also features a variety of textures and timbres, with each voice taking turns playing the melody and accompanying the others. Overall, the "Fantasie 2 (RC 7) for 3 voices" is a beautiful and complex work that showcases Coprario's skill as a composer. Its use of counterpoint, intricate harmonies, and varied textures make it a challenging and rewarding piece for performers and listeners alike.More....
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