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Louis Couperin
Courante in C major (Pièces de clavecin, No. 17)
Works Info
Composer
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Louis Couperin
Genre
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Keyboard
Style
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Keyboard
Louis Couperin was a French Baroque composer and harpsichordist who lived from 1626 to 1661. He was a member of a famous musical family that included his cousin, the more well-known François Couperin. Louis Couperin's music was highly regarded during his lifetime, but much of it was lost over the years. However, some of his works have survived, including his "Courante in C major" from his "Pièces de clavecin" collection. The "Pièces de clavecin" is a collection of harpsichord music that Couperin composed in the mid-17th century. It consists of 220 pieces, including preludes, allemandes, courantes, sarabandes, and other dance forms. The collection was published posthumously in 1713, and it is considered one of the most important collections of French Baroque keyboard music. The "Courante in C major" is the seventeenth piece in the collection. It is a lively dance in triple meter, and it is characterized by its flowing, ornamental melody and its use of syncopation. The piece is in binary form, with two sections that are each repeated. The first section is in C major and features a lively, syncopated melody that is passed between the hands. The second section is in G major and is more lyrical and expressive, with a more flowing melody that is accompanied by arpeggiated chords. The "Courante in C major" is a good example of Couperin's style, which was characterized by his use of ornamentation, his attention to detail, and his ability to create complex textures and harmonies. His music was highly influential on later composers, including Johann Sebastian Bach, who was known to have studied and admired Couperin's works. The "Courante in C major" was likely composed in the mid-17th century, but it is not known exactly when it was written. It was first published in the "Pièces de clavecin" collection in 1713, more than 50 years after Couperin's death. The piece has since become a popular work in the harpsichord repertoire, and it is often performed and recorded today.
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