Composer

:

Johannes Brassart

Genre

:

Choral

Style

:

Choral

Average_duration

:

2:57

Johannes Brassart was a Franco-Flemish composer who lived in the 15th century. He was a contemporary of Guillaume Dufay and Gilles Binchois, and his music was highly regarded during his lifetime. One of his most famous works is the motet "Regina coeli," which was composed in the early 15th century. The motet "Regina coeli" is a four-part composition that is based on the Marian antiphon of the same name. It is written in the typical isorhythmic style of the time, with a repeating rhythmic pattern in the tenor voice. The other three voices weave around this pattern, creating a rich and complex texture. The motet is divided into three movements, each of which is based on a different section of the antiphon. The first movement is based on the opening phrase, "Regina coeli, laetare, alleluia," and is characterized by a lively and joyful melody. The second movement is based on the second phrase, "Quia quem meruisti portare, alleluia," and is more contemplative in nature. The third movement is based on the final phrase, "Resurrexit sicut dixit, alleluia," and is the most complex and elaborate of the three. One of the most striking characteristics of "Regina coeli" is its use of harmony. Brassart was known for his innovative use of harmony, and this motet is no exception. The harmonies are rich and complex, with unexpected chord progressions and dissonances that create a sense of tension and release. "Regina coeli" was likely composed in the early 15th century, although the exact date is unknown. It was likely performed in the courts and churches of France and the Low Countries, where Brassart was active as a composer and musician. The motet remains a popular and influential work in the early music repertoire, and is still performed and recorded today.

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