Composer

:

Marin Marais

Genre

:

Chamber

Publication Date

:

1717

Average_duration

:

13:08

Movement_count

:

7

Movement ....

Marin Marais, a French composer and viol player, composed the 'Suite for viola da gamba & continuo in D major (Pièces de viole, Book IV, Nos. 8-14)' in the late 17th century. The exact date of composition is unknown, but it was likely written between 1711 and 1717. The suite was first published in 1717 as part of Marais' fourth book of Pièces de viole. The suite consists of seven movements, each with its own unique character and style. The first movement, Prelude, is a lively and energetic piece that sets the tone for the rest of the suite. The second movement, Allemande, is a slower and more contemplative piece, with a gentle and flowing melody. The third movement, Courante, is a fast and lively dance, with a strong and rhythmic pulse. The fourth movement, Sarabande, is a slow and stately dance, with a mournful and melancholic melody. The fifth movement, Gavotte, is a lively and playful dance, with a light and airy melody. The sixth movement, Menuet, is a graceful and elegant dance, with a simple and charming melody. The final movement, Gigue, is a fast and lively dance, with a lively and energetic melody. The suite is characterized by Marais' use of the viola da gamba, a stringed instrument that was popular in the Baroque era. Marais was a virtuoso on the viola da gamba, and his compositions for the instrument are known for their technical difficulty and expressive power. The suite also features a continuo part, which provides a harmonic foundation for the viola da gamba. Overall, the 'Suite for viola da gamba & continuo in D major' is a beautiful and expressive work that showcases Marais' skill as a composer and performer. Its seven movements offer a range of moods and styles, from lively and energetic to slow and contemplative, making it a versatile and engaging piece of music.

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