Composer

:

Marc-Antoine Charpentier

Genre

:

Choral

Style

:

Magnificat

Compose Date

:

1681 - 1682

Average_duration

:

7:06

Magnificat, H. 80 is a sacred choral work composed by Marc-Antoine Charpentier in the 17th century. The piece is based on the biblical text of the Magnificat, which is a hymn of praise to the Virgin Mary. Charpentier's Magnificat is one of his most famous works and is considered a masterpiece of French Baroque music. The Magnificat, H. 80 was composed in 1698 and premiered at the Church of Saint-Louis-en-l'Île in Paris. The piece is divided into nine movements, each of which is based on a different section of the Magnificat text. The movements are as follows: 1. Magnificat anima mea Dominum - The opening movement is a grand and majestic setting of the text, featuring a full choir and orchestra. 2. Et exultavit spiritus meus - This movement is a joyful and lively duet for two sopranos, accompanied by strings and continuo. 3. Quia respexit humilitatem - The third movement is a gentle and introspective aria for alto, accompanied by a solo violin and continuo. 4. Quia fecit mihi magna - This movement is a celebratory chorus, featuring the full choir and orchestra. 5. Et misericordia eius - The fifth movement is a tender and expressive duet for soprano and alto, accompanied by strings and continuo. 6. Fecit potentiam in brachio suo - This movement is a powerful and dramatic chorus, featuring the full choir and orchestra. 7. Deposuit potentes de sede - The seventh movement is a solemn and contemplative aria for bass, accompanied by a solo cello and continuo. 8. Esurientes implevit bonis - This movement is a lively and joyful duet for soprano and alto, accompanied by strings and continuo. 9. Suscepit Israel puerum suum - The final movement is a grand and majestic chorus, featuring the full choir and orchestra. Charpentier's Magnificat is characterized by its rich harmonies, expressive melodies, and intricate counterpoint. The piece showcases Charpentier's skill as a composer and his ability to create music that is both grand and intimate. The Magnificat, H. 80 remains a beloved work of French Baroque music and is frequently performed in concert halls and churches around the world.

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