Composer

:

Fausto Romitelli

Genre

:

Orchestral

Style

:

Piece

Compose Date

:

2001

Average_duration

:

10:53

"Flowing down too slow" is a contemporary classical composition by Italian composer Fausto Romitelli. The piece was composed in 2001 and premiered on November 22, 2001, at the Conservatoire National Supérieur de Musique et de Danse de Paris. The composition consists of three movements, each with its own unique characteristics. The first movement, titled "Dead City Radio," is a tribute to the American musician and artist William S. Burroughs. The movement features a collage of sounds, including distorted guitar riffs, electronic effects, and spoken word samples from Burroughs' recordings. The overall effect is a chaotic and disorienting soundscape that reflects the themes of Burroughs' work. The second movement, titled "Green," is a more contemplative and introspective piece. It features a solo guitar accompanied by electronic effects and a string quartet. The guitar melody is repetitive and hypnotic, creating a sense of timelessness and introspection. The electronic effects add a dreamlike quality to the piece, while the string quartet provides a sense of warmth and intimacy. The final movement, titled "Blood on the Floor," is the most intense and aggressive of the three. It features a distorted electric guitar accompanied by a large ensemble of instruments, including brass, percussion, and electronics. The piece is characterized by its driving rhythm and dissonant harmonies, creating a sense of tension and urgency. The title of the movement is a reference to a line from a poem by the American poet Allen Ginsberg, further emphasizing the piece's connection to the Beat Generation. Overall, "Flowing down too slow" is a complex and multi-layered composition that reflects Romitelli's interest in combining different musical styles and influences. The piece is characterized by its use of electronic effects, distorted guitar riffs, and spoken word samples, creating a unique and innovative sound that pushes the boundaries of contemporary classical music.

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