Composer

:

Johannes Ockeghem

Genre

:

Choral

Style

:

Mass

Compose Date

:

ca. 1450 - 1480

Average_duration

:

27:41

Movement_count

:

6

Movement ....

Johannes Ockeghem's 'Missa Mi-mi' is a masterpiece of Renaissance polyphony. It is believed to have been composed around 1460-1480, during Ockeghem's tenure as a singer and composer at the court of Charles the Bold, Duke of Burgundy. The 'Missa Mi-mi' is one of Ockeghem's most famous works, and it is considered a prime example of his mature style. The 'Missa Mi-mi' is a four-part mass, consisting of the usual sections of the Ordinary of the Mass: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei. The mass is written in the Dorian mode, which gives it a solemn and austere character. The use of the Dorian mode was a common practice in the Renaissance, as it was believed to evoke a sense of antiquity and seriousness. The 'Missa Mi-mi' is characterized by its intricate polyphony, which is typical of Ockeghem's style. The mass is written for four voices, with each voice having its own independent melody. The voices are woven together in a complex web of counterpoint, creating a rich and dense texture. The use of imitation is also prominent in the 'Missa Mi-mi', with each voice taking turns to present the main theme. The Kyrie of the 'Missa Mi-mi' is a prime example of Ockeghem's mastery of polyphony. The voices enter one by one, each presenting the same melody in a different key. The result is a kaleidoscope of sound, with each voice contributing to the overall texture. The Gloria is more homophonic, with the voices singing in unison at certain points. The Credo is the longest section of the mass, and it is characterized by its intricate polyphony and use of imitation. The Sanctus of the 'Missa Mi-mi' is one of the most famous sections of the mass. It is a tour de force of polyphony, with the voices weaving in and out of each other in a complex web of counterpoint. The Agnus Dei is more subdued, with the voices singing in a gentle and prayerful manner. Overall, the 'Missa Mi-mi' is a masterpiece of Renaissance polyphony. It is characterized by its intricate polyphony, use of imitation, and solemn character. The mass is a testament to Ockeghem's mastery of counterpoint, and it remains a beloved work of the Renaissance repertoire.

More....