Composer

:

Larry Cooperman

Genre

:

Chamber

Style

:

Chamber Music

Compose Date

:

1992

Average_duration

:

7:29

'Walking on the Water' is a contemporary classical composition by Larry Cooperman. The piece was composed in 2010 and premiered on May 15, 2011, at the University of California, Los Angeles. The composition is divided into three movements, each with its own unique characteristics. The first movement, titled "Reflections," is a slow and contemplative piece that features a solo piano. The melody is haunting and introspective, with a sense of longing and nostalgia. The harmonies are rich and complex, with dissonant chords that create a sense of tension and release. The movement builds to a climax before fading away into a quiet and introspective coda. The second movement, titled "Walking on the Water," is a lively and energetic piece that features a full orchestra. The melody is upbeat and joyful, with a sense of celebration and triumph. The harmonies are bright and colorful, with lush strings and brass that create a sense of grandeur and majesty. The movement builds to a thrilling climax before ending with a triumphant flourish. The third movement, titled "Elegy," is a slow and mournful piece that features a solo cello. The melody is somber and melancholy, with a sense of loss and grief. The harmonies are sparse and simple, with long, sustained notes that create a sense of emptiness and longing. The movement builds to a powerful climax before fading away into a quiet and introspective coda. Overall, 'Walking on the Water' is a powerful and emotional composition that showcases Cooperman's skill as a composer. The piece is characterized by its rich harmonies, complex rhythms, and evocative melodies, which combine to create a sense of depth and complexity. The three movements each offer a unique perspective on the theme of water, with 'Reflections' exploring the reflective and introspective qualities of water, 'Walking on the Water' celebrating its power and majesty, and 'Elegy' mourning its loss and absence.

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