Composer

:

Jean de Sainte-Colombe

Genre

:

Chamber

Style

:

Chamber Music

Jean de Sainte-Colombe was a French composer and viol player who lived during the Baroque period. He is known for his contributions to the development of the viola da gamba, a stringed instrument that was popular during the 16th and 17th centuries. One of his most famous works is the Concert for 2 equal bass viols No. 62 La boutade. The Concert for 2 equal bass viols No. 62 La boutade was composed by Jean de Sainte-Colombe in the late 17th century. The exact date of composition is unknown, but it is believed to have been written sometime between 1680 and 1700. The piece was premiered in France, likely in the court of Louis XIV, who was a patron of the arts during this time. The Concert for 2 equal bass viols No. 62 La boutade consists of three movements: Prelude, Allemande, and Gigue. The Prelude is a slow, melancholic piece that sets the tone for the rest of the work. The Allemande is a lively dance in triple meter, while the Gigue is a fast, energetic dance in compound meter. One of the characteristics of the Concert for 2 equal bass viols No. 62 La boutade is its use of equal bass viols. This was a relatively uncommon practice during the Baroque period, as most works for viola da gamba were written for a solo instrument accompanied by a basso continuo. Sainte-Colombe's decision to write for two equal bass viols allowed for a unique sound and texture that was not often heard during this time. Another characteristic of the Concert for 2 equal bass viols No. 62 La boutade is its use of ornamentation. Sainte-Colombe was known for his intricate and expressive ornamentation, which is evident throughout the work. The use of ornamentation adds to the overall beauty and complexity of the piece. Overall, the Concert for 2 equal bass viols No. 62 La boutade is a beautiful and unique work that showcases Sainte-Colombe's skill as a composer and viol player. Its use of equal bass viols and intricate ornamentation make it a standout piece from the Baroque period.

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