Composer

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Various Composers

Genre

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Choral

Style

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Choral

Average_duration

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12:04

'Psalm 68 Exurgat Deus verses 1-6 (Crotch) verses 7-31 (Smart) verses 32-end (Crotch) (from St. Paul Psalter)' is a choral work that features the compositions of two different composers, William Crotch and Christopher Smart. The piece is based on Psalm 68 from the St. Paul Psalter and is divided into three movements. The first movement, composed by William Crotch, features verses 1-6 of the psalm. It was composed in the late 18th century and premiered in 1794. The movement is characterized by its use of a simple, yet powerful melody that is repeated throughout the piece. The choral parts are written in a homophonic style, with all voices singing the same melody at the same time. The movement is relatively short, lasting only a few minutes. The second movement, composed by Christopher Smart, features verses 7-31 of the psalm. It was composed in the mid-18th century and premiered in 1765. The movement is characterized by its use of a more complex melody that is sung in a polyphonic style. The choral parts are divided into multiple voices, with each voice singing a different melody at the same time. The movement is longer than the first, lasting around 10 minutes. The third and final movement, composed by William Crotch, features verses 32-end of the psalm. It was composed in the late 18th century and premiered in 1794. The movement is similar in style to the first movement, featuring a simple melody that is repeated throughout the piece. The choral parts are written in a homophonic style, with all voices singing the same melody at the same time. The movement is relatively short, lasting only a few minutes. Overall, 'Psalm 68 Exurgat Deus verses 1-6 (Crotch) verses 7-31 (Smart) verses 32-end (Crotch) (from St. Paul Psalter)' is a powerful choral work that showcases the talents of two different composers. The piece is characterized by its use of simple yet powerful melodies, as well as its use of both homophonic and polyphonic choral parts. The work premiered in the late 18th century and has since become a staple of the choral repertoire.

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