Composer

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Kenneth Leighton

Genre

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Keyboard

Style

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Keyboard

Average_duration

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0:51

'Little Minx, Op. 47/3' is a composition for solo piano by British composer Kenneth Leighton. It was composed in 1970 and premiered the same year by pianist John Ogdon. The piece is part of a set of three pieces titled 'Three Pieces, Op. 47', which also includes 'Study in Blue, Op. 47/1' and 'Study in Black, Op. 47/2'. 'Little Minx' is a lively and playful piece, characterized by its syncopated rhythms and jazzy harmonies. The piece is in ABA form, with the outer sections featuring a lively and rhythmic melody, while the middle section is more lyrical and introspective. The piece is marked by Leighton's characteristic use of complex harmonies and rhythmic patterns, which give the piece a sense of energy and vitality. The piece begins with a lively and syncopated melody in the right hand, accompanied by a driving bass line in the left hand. The melody is characterized by its use of syncopation and off-beat accents, which give the piece a sense of rhythmic complexity. The middle section of the piece is more introspective, with a lyrical melody in the right hand accompanied by a simple chord progression in the left hand. The melody is marked by its use of expressive phrasing and dynamic contrasts, which give the piece a sense of emotional depth. The final section of the piece returns to the lively and rhythmic character of the opening, with the melody restated in a slightly modified form. The piece ends with a flourish, with the right hand playing a rapid arpeggio while the left hand plays a series of driving chords. Overall, 'Little Minx' is a lively and energetic piece that showcases Leighton's skill as a composer. The piece is marked by its complex harmonies and rhythmic patterns, which give the piece a sense of vitality and energy. The piece is a popular choice for pianists looking for a challenging and engaging piece to perform.

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