Composer

:

Franz Liszt

Genre

:

Keyboard

Style

:

Keyboard

Compose Date

:

1851

Publication Date

:

1853

Average_duration

:

13:45

Franz Liszt's "Pensée des morts, S. 173/4" is a solo piano piece that was composed in 1881. It was premiered in the same year in Weimar, Germany. The piece is part of a larger collection of works called "Harmonies poétiques et religieuses," which was composed between 1833 and 1852. "Pensée des morts" is a slow and contemplative piece that is divided into three distinct sections. The first section is marked "Andante con moto," and it begins with a simple and mournful melody in the left hand. The right hand then enters with a series of arpeggios that create a sense of tension and release. The melody is then repeated with slight variations, and the section ends with a quiet and introspective coda. The second section is marked "Poco adagio," and it begins with a series of chords that create a sense of mystery and anticipation. The left hand then enters with a series of descending octaves that create a sense of foreboding. The right hand then enters with a series of trills and arpeggios that create a sense of urgency. The section ends with a series of chords that gradually fade away. The third section is marked "Andante," and it begins with a simple and peaceful melody in the right hand. The left hand then enters with a series of chords that create a sense of resolution and closure. The melody is then repeated with slight variations, and the piece ends with a quiet and contemplative coda. Overall, "Pensée des morts" is a deeply emotional and introspective piece that reflects Liszt's interest in spirituality and the afterlife. The piece is characterized by its simple and mournful melodies, its use of arpeggios and trills to create tension and release, and its sense of resolution and closure.

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