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Charles Frederick South
Psalm 75 for chorus & organ: Unto thee, O God, do we give thanks
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Works Info
Composer
:
Charles Frederick South
Genre
:
Choral
Style
:
Psalm
Average_duration
:
3:05
Psalm 75 for chorus & organ: Unto thee, O God, do we give thanks is a choral work composed by Charles Frederick South. The piece was composed in the early 20th century, but the exact date of composition is unknown. It was premiered in London, England, and has since become a popular piece in the choral repertoire. The piece is divided into three movements, each with its own distinct character. The first movement is marked "Allegro con brio" and is characterized by its energetic and joyful nature. The choir sings the opening lines of the psalm, "Unto thee, O God, do we give thanks," with great enthusiasm, accompanied by the organ. The movement features a number of dynamic shifts and rhythmic variations, creating a sense of excitement and anticipation. The second movement is marked "Adagio" and is much more contemplative in nature. The choir sings the lines "When I shall receive the congregation, I will judge uprightly" with a sense of solemnity and reverence. The organ provides a gentle accompaniment, with sustained chords and delicate arpeggios. The movement builds to a powerful climax, with the choir singing "I will praise the name of God with a song" in a rich and full-bodied harmony. The final movement is marked "Allegro vivace" and is characterized by its exuberance and energy. The choir sings the final lines of the psalm, "All the horns of the wicked also will I cut off; but the horns of the righteous shall be exalted," with great enthusiasm and vigor. The organ provides a lively accompaniment, with fast-paced arpeggios and virtuosic flourishes. The movement builds to a triumphant conclusion, with the choir and organ joining together in a joyful and celebratory finale. Overall, Psalm 75 for chorus & organ: Unto thee, O God, do we give thanks is a powerful and uplifting choral work. Its three movements showcase a range of emotions and moods, from joy and exuberance to solemnity and reverence. The piece is a testament to Charles Frederick South's skill as a composer and his ability to create music that speaks to the human spirit.
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