Composer

:

Amy Beach

Genre

:

Vocal

Style

:

Vocal Music

Publication Date

:

1902

Average_duration

:

1:55

'Come, Ah Come, Op. 48/1' is a vocal piece composed by Amy Beach, an American composer and pianist. The piece was composed in 1893 and premiered the same year. It is part of a set of three songs, collectively known as 'Three Browning Songs', which were inspired by the poetry of Robert Browning. The piece is written for a solo voice and piano accompaniment. It is in the key of F minor and has a moderate tempo. The vocal range required for the piece is relatively narrow, spanning only a little over an octave. The piano accompaniment is relatively simple, with a repeating pattern of chords that provides a steady foundation for the vocal melody. The piece is divided into two distinct sections, each with its own character and mood. The first section is marked 'Allegro con fuoco' and is characterized by its fiery and passionate nature. The vocal melody is full of sweeping gestures and dramatic leaps, while the piano accompaniment provides a driving rhythm that propels the music forward. The second section of the piece is marked 'Andante espressivo' and is much more introspective and contemplative in nature. The vocal melody is more subdued and lyrical, with a sense of longing and yearning. The piano accompaniment is more sparse and delicate, providing a gentle support for the vocal line. Overall, 'Come, Ah Come, Op. 48/1' is a powerful and expressive piece of music that showcases Amy Beach's skill as a composer. Its combination of fiery passion and introspective longing make it a compelling addition to any vocal repertoire.

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