Composer

:

David Rakowski

Genre

:

Keyboard

Style

:

Etude

Compose Date

:

1995

Average_duration

:

5:35

"Les Arbres Embués (Étude No. 7)" is a contemporary classical piano piece composed by David Rakowski. It was composed in 1996 and premiered on March 2, 1997, by pianist Marilyn Nonken at the Miller Theatre in New York City. The piece is part of Rakowski's collection of 100 etudes for piano, which he began composing in 1989 and completed in 2018. "Les Arbres Embués" is a single-movement piece that lasts approximately four minutes. The title translates to "The Foggy Trees" in English, and the piece is meant to evoke the image of trees shrouded in mist. The piece is characterized by its use of dissonant harmonies and complex rhythms, which create a sense of tension and unease. The piece begins with a series of rapid, staccato chords that gradually build in intensity. The chords are played in a syncopated rhythm, which creates a sense of instability. As the piece progresses, the chords become more dissonant, and the rhythm becomes more complex. The middle section of the piece features a series of arpeggios that are played in a rapid, cascading fashion. The arpeggios are interspersed with chords that are played in a staccato, percussive manner. The final section of the piece returns to the syncopated rhythm of the opening, but with even greater intensity. The chords become more dissonant, and the rhythm becomes more complex. The piece ends with a series of rapid, staccato chords that gradually fade away, leaving the listener with a sense of unease. Overall, "Les Arbres Embués" is a challenging and complex piece that showcases Rakowski's skill as a composer. The piece is characterized by its use of dissonant harmonies and complex rhythms, which create a sense of tension and unease. Despite its difficulty, the piece is a popular choice among contemporary classical pianists and has been performed by numerous musicians around the world.

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