Composer

:

Raymond G. Stewart

Genre

:

Choral

Style

:

Chorale

Compose Date

:

1994

Average_duration

:

1:02

"Okay Chorale" is a contemporary classical piece composed by Raymond G. Stewart. The piece was composed in 1991 and premiered on March 1, 1992, by the University of Texas Wind Ensemble, conducted by Jerry Junkin. The piece is divided into three movements, each with its own unique characteristics. The first movement, "Fanfare and Chorale," begins with a bold and energetic fanfare played by the brass section. The fanfare is followed by a chorale played by the woodwinds and brass. The chorale is characterized by its slow and majestic melody, which is passed between the different sections of the ensemble. The movement ends with a reprise of the fanfare, played with even more energy and intensity than before. The second movement, "Scherzo," is a lively and playful piece characterized by its fast tempo and intricate rhythms. The movement begins with a playful melody played by the woodwinds, which is then taken up by the brass. The melody is then passed between the different sections of the ensemble, creating a sense of playful competition between them. The movement ends with a frenzied coda, in which all the sections of the ensemble play together in a fast and complex rhythm. The third movement, "Hymn and Finale," begins with a slow and solemn hymn played by the woodwinds. The hymn is then taken up by the brass, which plays it with increasing intensity and power. The movement then transitions into a fast and energetic finale, characterized by its driving rhythms and soaring melodies. The movement ends with a triumphant coda, in which all the sections of the ensemble play together in a final burst of energy. Overall, "Okay Chorale" is a dynamic and engaging piece of contemporary classical music. Its three movements showcase the different sections of the ensemble, highlighting their unique characteristics and abilities. The piece is characterized by its bold and energetic melodies, intricate rhythms, and sense of playful competition between the different sections of the ensemble.

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